ALGA MARGHEN: PLANAM



Luc Ferrari conceived this work in 1977 as a sequence of seven individually or collectively improvised exercises for tape and any instrument or group of instruments. Never performed before, Exercices dimprovisation have been released by the GOL collective and issued now on LP by PLANAM. The seven exercises follow each others in a suite of growing intensity where GOL acoustic and electric instruments react to Luc Ferraris tape, lively re-interpreted by Brunhild Ferrari: from a more meditative form, the music turns into free mental spiraling sections to finally culminate in a live musique concrete drama. The tracks were recorded at Ferraris Atelier Post-billig on April 12th and 13th, 2010, a few days before the world premiere performance at La Maison Rouge in Paris. Exercices dimprovisation on one hand presents a new perspective on Ferraris music and on the other pays a panorama-like tribute to his rich and eclectic corpus; somewhere between Tête et Queue du Dragon and Tautologos with a touch of Danses Organiques. GOL was formed in 1988 in Paris by Jean-Marcel Busson, Frédéric Rebotier, Ravi Sharda and Samon Takahashi. On this record GOL play flutes, electric guitar, bass guitar, melodica, janotron, ocarina, nagara, electric guembri, vocoder and message box. This LP is the forth in the gollaboration series after records by GOL with Dumitrescu/Avram, with Charlemagne Palestine and with Charles Hayward of This Heat fame. The front sleeve shows a four colour wild collage by the French artist, film-maker and Ferraris collaborator Jacques Brissot based on photo sessions done by Myriam Tirler, who also shot the back cover and inner sleeve images presenting GOL members and Brunhild Ferrari in Kagel-Exotica-like appearances. The edition limited to 350 copies also includes an insert with the complete score by Luc Ferrari. Please note: this previously unpublished work revealing a hidden part of Luc Ferrari poetics is not included in the INA 10CD boxset. Only available on this LP edition.---LABEL DESCRIPTION


Planam proudly presents the first LP by the artist and sound sculptor Michel Vogel. Born in 1941 in Strasbourg, France, Michel Vogel artistic activities start in 1960 when, as a painter under the materic influences of Antoni Tapies and Jean Dubuffet, his mineral and sound experimentations built a universe influenced by free jazz, extra-European music and Olivier Messiaen. His researches develop with new sculptures and the creation of his own resonating metal instruments. His friends of the minimalist group, and specially the Fluxus artists, supported and pushed him to carry on his acoustics explorations while his sonic creations get closer to the music of John Cage, Philip Corner, Morton Feldman and Giacinto Scelsi. For this first project, Planam selected, in direct collaboration with the artist, an improvisation for large size gongs prepared with metal rods, little gong, Chinese cymbal, caoutchouc ball, titled Une Petite Musique De Nuit. Recorded live with no over-dubbing the night of January 18th, 2002. A very deep and alfa-wave oriented listening that will make you discover very intimate, as well as stellar new sonic dimensions. Edition limited to 300 copies, with full colour space cover and innersleeve.---LABEL DESCRIPTION


First performed at the CAPC Museum of Contemporary Art in Bordeaux in March 2009, Soundtracks For The Movies Of Pierre Clemanti is an electronic concrete music including many references to psychedelia, Krautrock, spontaneous sound creation of the 1960s-70s, building an intense dialogue with the specific universe of Pierre Clementi. Even if psychedelia and electroacoustic music seem to have little in common, they got intersected in the work of some advanced artists. On one side electronics entered rock and free jazz, on the other electric guitar and drums have been manipulated by adventurous modern composers. We could take Joseph Byrd, Friendsound, Faust, Supersister or Brainticket as a reference as well as Luc Ferrari, Jacques Lejeune, Bernard Parmegiani or Pierre Henry. A complete list of exchanges and collaborations would be too long to compile. Their common background could be defined as the need to enter our unexplored inner consciousness, either through the use of drugs and lysergic substances, or through mysticism or esthetic explorations. Vincent Epplay and Samon Takahashis music as pure experience and sonic-energy is the perfect soundtrack to the three movies by Pierre Clementi. The first two movies Positano - Bobine 30B01 (1969) and La Deuxième femme - Bobine J (1967-78) are the documentation of an intense period of experiences shared with Nico, Philippe Garrel, Frédéric Pardo, Tina Aumont, Jean-Pierre Kalfon, Bulle Ogier, Marc O, Viva and many others. The third movie, La révolution nest quun début: continuons le combat (1968), is a true hymn to freedom and is based around the May 68 events. Like a hallucinatory flux, the images of these three movies have been used by Epplay and Takahashi as the starting point for creating a unique sound experience. Edition limited to 300 copies with full-color sleeve, inner sleeve and insert, reproducing some very inspired scenes from the movies of Pierre Clementi.---LABEL DESCRIPTION


Disallow is an art-record presenting the recording of a collaborative performance by poet-artist-architect Vito Acconci and New York group New Humans. Taking place within the sculpture installation Disassociate by artist Mika Tajima at Elizabeth Dee Gallery, New York, the release also includes the complete aural components that were present during the exhibition and live performances. For the public performances and private sessions within the exhibition, sculptures in the space were reconfigured to create divided recording spaces drawn structurally from Jean Luc Godards Sympathy for the Devil, an experimental film documenting the contentious making of the Rolling Stones legendary song and its parallel politics. During this improvised public performance with New Humans, Vito Acconci read permutations of text from a set of seminal audio works from the 1970s, recombining lines and phrases on the move against New Humans acute and minimally deadpan sonic and rhythm progression. Vito Acconci has been a vital presence in contemporary art since the late 1960s; his confrontational and ultimately political works have evolved from writing through conceptual art, bodyworks, performance, film, video, multimedia installation and now architecture and design. New Humans is a New York-based noise band and moniker for artist Mika Tajimas collaborative music, art, and actions. NHs recent releases continue a working use of piercing drones, sheer static, and low bass frequencies. Members are currently Howie Chen, Mika Tajima, and Eric Tsai. The release also includes two subtle sound pieces by New Humans that were the ongoing sound elements in the Disassociate installation in which the performances and recordings occurred. The first, a popular song stripped leaving only the minimal register of static noise, it now resembles the anonymous crackling prelude of a vinyl record. The second, the humming drone produced by a guitar amp in waiting becomes substance without performance. Edition limited to 300 copies with full-color sleeve..---LABEL DESCRIPTION

ALGA MARGHEN: WAR EXTENSION



A mysterious 1981 cassette masterpiece from Narki Brillans from the Its War Boys catalogue available now on LP. Remastered from the original tapes by Narki himself! Track listing: Worship Worship USA; Omnicode; Atom making a bomb; Fascist tea party; Dave got a job in the garage; Postcard from Space; Saw a great disc land; Ive got US dollars. There are more than half a million pieces of space junk floating above the earth, and of all of them, theres only one or two that Id rescue for the benefit of the human race. You know, when you think of all those dreadful Time Capsules and other vainglorious and redundant trivia - if you are someone of a discerning mind, one eye on the eternal fastnesses of our mighty Galaxy (only a suburb really, which is surely what makes David Bowies Space Oddity so very effecting for those of us born in the petit bourgeois utopia of the post-war world), the other on the profoundly mysterious internal life of the individual, the essentially irrelevant nonentity which our so-called culture has puffed up and reshaped with the vision of an expert sculptor into the soi-disant Self -- well then, if you are of such a mind, well then I say its my firmly held belief (one which I will carry to my grave, which I hope may be out there in Space, with Bowie and Meeks masterpieces alternating with a selection of out takes from the television series Lost In Space starring the immortal Jonathan Harris -- Spare me the compliments, Major!) that the only object really worth a candle among the essentially infinite objects floating in the upper atmosphere is that recording made by Narki Brillans which, if everyone in the chain does what they said theyll do and if my predictions for our future are correct, the reader of this transcript will soon hold in their hands. Four color sleeve with original primitive-futuristic-cosmic collages by Studio Shitless. Printed inner sleeve featuring an essay by Ed Baxter and a 1982 low-orbit interview by Narki Brillans from Teen Arts magazine. Label based on a original idea by Clive Graham. Edition limited to 265 private copies. On red-colored vinyl.---LABEL DESCRIPTION

ALIENATED HOMINID



Split cassette between this Canadian Harsh Noise couple...edition of 50.

AMERICAN TAPES



'One Sided 7 inch and CD. Bruiser and Kid, separated physically (not emotionally) by about ten feet in the shadowz of Schooner Cove, lay down the first vinyl outing by this 'wives at work = the boyz will jam' afternoon electronic harsh noise project. The upcoming BR lp on Troniks was threatened not to be cut by the mastering dude due to horrible clean tones, and you tell on this they were struggling as well. Black hole sound, terrible textures. Ruff & Raw. Color wax, color cover, lock groove, and tape collab CD round this mutha out.'---LABEL DESCRIPTION


part two of the Fag Tape Heath aka Juice's 'Trapped Title series. ---JOHN OLSON


'Heavy swirling noise from Circuit Wound and Birth Refusal, west coast and mid coast knockout collabo. CW remixed the Refusal podcast from a while ago, mail style. Thick weirdness but kinda tech with is a nice new angle considering the anti-sound/fidely Coorz/Conn combo. Aint walls, but walls of the schizo ward, closing in.........in....... Edition of 200, color vinyl, art, and speed, any.....'---LABEL DESCRIPTION


Artist Edition of the DM 7 incher on iDeal. These copies come w/ individually hand painted artwork by JOHN OLSON and a CDR w/ tracks from DM, Tovah D-Day, and Spykes. Numbered edition of 40 copies.


'Oldest recording here, 13 years!!!. DS Hastings man...what can you say? Well,...how about:

A: Fresh

B: Old School

C: Waaay Underground

IF you heard his totally obscure output on S.F.C.R in France or Square D recordings from Detroit all before 1995 then you know Hastings has his pulse on some raw, environmental, weirdo, static, fluxus style non-sound. Its like what Captain Crunch listens to before Tony The Tiger walks the plank into a boiling sea of washing-machine chewing sharks. Dude is a HUUGE influence from his like three releases. But you aint gonna see him around live anytime soon......underground..... SO: the record....some label...I forget who/what was gonna do an OG 7' Waaay black in 1995 between DS and DL Savings Time...it never saw light....UNTIL GNAW!!! Here is the original recordings and two new Collab tracks. This thing is as raw as chewing on a thirty foot tree with cement teeth while wearing a basement rug as a crotch-cloth.


'What is up with the mail these days? Sometimes you get the weirdest things.'---LABEL DESCRIPTION. Edition of 100 handnumbered copies in handpainted / collaged sleeves.


One-sided collab LP from Paul Flaherty and JEff Hartford aka NOISE NOMAD. Haven't thrown this slab on yet..but it's GOTTA be weird as fuck. Edition of 100 copies.


Good luck reading this!: 'Rolling early to a gig can be problematic or amazing or a weirdo combo of both. The boyz rolled WAAAY to early to gig in Richmond VA only to get chased outta a strange bar (and sure enuff: same thing happened at the gig later at a piece of shit bar we jammed), but sometimes, rolling early into a city can be mindwrecking: In Philly, some years ago, we rolled in hyper early and found (and waited in the van until it opened) a killer mega-bowl complex and posted up for HOURS. Brew flowing, pins knockin, no one there but the crew. RULED. After a way too long stretch of horrible double digit bowling, I wandered outside and called my main homebox PUCK to see if there was anything to peep before we roll onward to the R N R business hours. Puck thought for a second and said: 'Ya'll already busted that cheesesteak local spot...so...if you feel up to something REALLY intense...naw...forget about it...' 'Naw man, f-that- what is it?' 'Well, I had a super heavy sess there, if you feel up to the internal challenge: its right by the bowling alley- hit up JONATHAN & SUZIE's PSYCHIC SHACK' Blown away by the prospects, I hung up, put out my cigarette on the bottom of my Red Wings, straightened up my coat and walked two blocks to the spot. After finding it easily enuff, I rolled into the lobby and was first shocked by the decor on the walls: intense blood-sex-soaked paintings of zombies and horrible gore all done with the perfection of a pro graphic artist. Whoa! What did PUCK roll me to? Is he getting me black for the time I spilled pink clothes dye on his fav jersey? This place is too strange. I rang the bell, signed in on the sheet, and waited in silence in an empty lobby staring at a painting of a zombie chewing an ear of a bikinied lady. Tired from the brew session at the bowling alley and arm aching from trying to get the ball speed cam up to 87 mph on the lanes, I dosed off. Feeling a slight nudge on my elbow I perked up and met JONATHAN, a huge welcoming dude with long blond hair and a SWANS 'MONEY' tour long sleeve shirt and followed him into the reading room. I was ah...psyched!! I came into the small black room, shook hands with SUZIE, who was decked out a TG shirt, also long sleeve and was ready for the reading... The magical couple stared at me for what seemed like 15 minutes and then nodded to each other and said, almost in unison: 'I see you are from Michigan, and therefore are probably uncomfortable with a very personal reading.' 'Ah, right on.' I said, thinking to myself that Puck had found a player a PERFECT spot. After another stretch of awkward but easy silence Suzie said: 'Well, you have a gig tonight, how about a glimpse into the future, not you, but what the world be like in say 10,000 years?' 'Man, whoa, hit me up!!!!' 'First, put both yr finger tips into this small pot and close yr eyes. There will be no words spoken but you feel the future, good or bad...' Feeling the energy for a new situation and also the coming excitement of telling Puck/the boys about my PSYCHIC SHACK experience, I rolled up my sleeve, and put my fingers into the warm oily magic liquid and sneaked off... What happened next or rather what I experienced just can be put into INZANE words. The future was: INTENSE.... fully of evil machines grinding onward on terror business, clangs disappearing into space, huge planets full of strange sounds delay into the deep atmosphere. It was strange, horrible, and super ace all at the same time. Man was I stoked. So I walked out with Suzie and Jonathan, mind blown/shown by the future, ready for the present and ready to thank the crub outta my main man PUCK for the psychic tip. As I was walking out the door, Suzie says, 'Wait I forgot something... Here is a box of 100 records that was the soundtrack to that evil future.... we had em pressed while you were out cold, live at that studio that did the CRUDE PA comps....' 'OMG- no way...the sounds...were...too much.... and on wax????' Jonathan says, firmly: 'Yeah man, and jamm it at any speed, I know yr crew digs that...slower the better...cant be slow enuff.....' And then stared at the floor....... 'Well, we know NONE of yr crew will believe you so here is some proof to show em....' So here it is. TRUE STORY, yo. THE FUTURE...10,000 yrs from now.... SEXUAL ASSAULT RIFLE. ON WAX. Edition 100, handmade covers, numbered'---LABEL DESCRIPTION


Killer party document w/Connelly & The Machines, Body Morph, Hive Mind, Dog Lady & Drainolith

AMETHYST SUNSET





'Vinyl debut from the Ohio duo of MIST (john elliott and sam goldberg). Following up their 'certain expansion' and 'stole colors' cassette releases on pizza wagon, MIST offer up two full sides of their best material yet. Electric Organs. Beautiful and dreamy progressive synths, kosmik string synth zone. Limited to 500. Pro printed covers.'---LABEL DESCRIPTION

ANARCHYMOON



'fierce live recording of this epic event on Jan 13, 2006. one side per set, including final side of 4-way collaboration. somehow they managed to fuse the minimal low-fi rig of Dead Machines with the maximal power cycle of Damion Romero and spatious neutron radiation of John Wiese, i was wondering how they were gonna pull it off.... it is a crunch-roaring bewilderment in sound. John Wiese - sonic landscapes that swirl and build, psychedelic even Dead Machines - slow grind through homemade speaker-suitcase. a groovy ride on nails and steel wool Damion Romero - physical psychic, you could feel it in the concrete floor 4-way collab - thunder-wail with flowers and sharks *****sonic hallucinations all 2xLP black vinyl, pro labels, high-quality 3color covers screened by Seizure Palace in the usual beyond-sick fashion on 12


CD reissue of one of my favorite 10 inches w/ a bonus track. HEre's my original write up for the 10 inch version: 'Man... This 10 inch really blew my gord... Prolly my fave 10 inch since the PETER FONDA TRIBUTE on MASSACRE AT CENTRAL HIGH... Man... REVERB GALORE and preolly the BEST DRONE to be made in the past few years... Scraping metal drone... Will keep you OVER satisfied till the next TNB/ORGANUM collab...which we know AIN'T HAPPENIN'...'


'burning blisters in the bowels of a bayou petroleum stink-hole. redwound == circuit wound ++ redglaer collab. super-awesome screen printed fold-over jackets (silver ink on white), and on the blank side of the record (silver-red ink, looks like bloody grip tape), in a plastic sleeve. 'screen printed fold-over jackets, screen printed record, plastic sleeve. limited to only 129 copies'---LABEL DESCRIPTION


'Roman Torment 'The Gift of Grief' - a floral assault of carbide-tipped blades, underground atomic collisions, dripping with sorbet and liquid silver. an unrelenting abuse of the artists' ears and throats for our benefit. Feed the Dragon 'Bromide Romance' - narcotic ritual. the history of desperate ages and the final moments of delivery into chaos / nothingness, scorpions erupting from cactii. who will be left to laugh about the death of civilization??? good loud cut on black 12 inch vinyl 45rpm, white jackets with color prints glued on the outside, color insert, plain gold labels. lim 300

ANOEMA



'A giant of Scandinavian experimental music, Lasse Marhaug has been active in sound creation since his teenage years. His interests have spanned a wide range of styles: from improv jams to film sound, from humorous collages to crushing harsh noise works. This non-stop activity has resulted in a massive body of recorded work and numerous live performances all over Tellus. Besides his solo work he has collaborated with a multitude of fellow sound artists on stage and in the studio.

In the everflowing stream of music from Marhaug, Quality Control leans towards the noisiest end of his output. With an active, hands-on approach to sound making, it rushes forward to present us with a panoramic view of a mock world inhabited by trash electronics battling it out on a barren desert field at the end of the known universe. From short outbursts to extended epics, Marhaug cooks up an explosive brew of storming feedback and out-rock guitar overload. Quality Control portrays a mature artist at the top of his game.'---LABEL DESCRIPTION


'Pioneer, innovator and visionary are words easily associated with Toshiji Mikawa. One of the prime movers of Japanese noise, he started his musical activities in the late 1970s and joined the legendary and notorious Hijokaidan. In 1981 he formed Incapacitants to pursue his interest in pure noise, in contrast to the more performance art oriented Hijokaidan of that time. Initially a solo project, later he was joined by Fumio Kosakai to make Incapacitants a duo that has been widely acknowledged for their extreme sound and intense live performances.

Gyo-Kai Elegy is the debut CD release under Mikawa's own name. It grants us a close-up view of his sound which is normally immersed inside Incapacitants' mighty sound structures. We get highly detailed, unforgiving electric annihilation, invoking images of imaginary lifeforms trapped inside cages of silicon crystals. Occasionally the sound expands into juggernaut drones or floats away into a cavernous space that seems to be inhabited by morbid bats screaming at piercing sub-ultrasonic frequencies. Once again, Mikawa-san shows us all how to create noise with intensity, perspective and character without a hint of compromise. '---LABEL DESCRIPTION

ARBOR



'Michigan heavy domestic-electronic couple Dead Machines always create records that confuse and intrigue. They are the forefathers of broken gear / appliance / wind instrument basement jamming and have their niche dug deep. 'Invasion' exists on the borders of existence- room ambiance is present, but the sounds are totally alien. Twisting mixer feedback and found sound source into a twisted collage of life outside the 'Pod': harsh and awakening, but at times giving way to the trance of the machine lull. Don’t fall asleep. In an edition of 450 LPs with full color pro-printed cardboard sleeves with art by John Olson.'---LABEL DESCRIPTION




'Michigan is a breeding ground where every weirdo has a label, a band, and a handful of secret/under the radar collaborative projects. here graveyards' ben hall and lambsbread's zac davis create a monolithic one sider influenced by too many private press jazz records and abstract instrumentalism. davis turns in his effect pedals for nothing; pure clean tones plucked up and down scales and bridges so uniquely that it is easy to confuse the guitar for a sax. ben hall drums like a man with four arms; constant rattling trap tapping and assorted pots and pans clattering, flowing completely smoothly. a perfect union of sound.in an edition of 300 copies in screened chipboard sleeves by anthony decanini.'---LABEL DESCRIPTION

ARCHIVO DE SANGRE DE DIOS



UK MELTDOWN! Killer crude drone and buzz fromHockeyFrilla and super hyper tape manipulation from DEEPKISS...Killer document of UK underground rulers.

ARCHIVO LETTERARIO



'Collection of rare recordings of William Burroughs in conversation and readings from the 1970s/80s. This is an essential insight into the mind and writings of arguably the most influential writer from the Beat generation. 'Through his mordant satire of cultural aspirations, homosexual eroticism and political power, Burroughs focuses our gaze into the abyss. His cold, surgical language creates beauty through a terror that we are just able to bear'---LABEL DESCRIPTION

ARS BENEVOLA MATER



Atrax Morgue seems to have reached the terminal stage, after more than 10 years of aberrant activity in music de-composing and sounds murder. No More is a non-compromise work, a reflection of a man that is watching his end, the cold analysis of the inutility of any action. Obsessive,schizophrenic,violent minimal electronic sounds are a soundtrack of a cold hell of nothingness and purity. But the only words that can explain this work are two and simple: NO MORE !!! LTD.505 IN JEWEL BOX WITH COVER PRINTED IN SPECIAL SILVER COLOR-EFFECT..---LABEL DESCRIPTION

mp3 samples: NO MORE excerpt


Originally registered in 1997 and released as strictly limited Cdr edition in 2002 on Amplexus label. 4 amazing tracks to compose an industrial noise masterpiece! Highly recommended. LTD. 500 COPIES IN JEWEL BOX. ---LABEL DESCRIPTION

NOTE: CD EP, 20 MIN LONG.

ARTE LUPO



'Here for the first time are the complete recordings that were made on 11th September 1967 in a rehearsal studio, which went onto be used as demos to try to secure a recording deal, which never happened. Spoken word elements throughout the 18 tracks'---LABEL DESCRIPTION

ATAVISTIC TRANSFORMATIONS




AURAL SECRETIONS



'Bite into a chunky four part modular beef-up compliments of the Anti-Ear on Side A. Flip it and catch Loachfillet's slithering worm tones before they devour your speakers. Center of the program yields an audio miracle. Limited edition of 100.'---LABEL DESCRIPTION


'Live recordings from a series of Halloween shows in 2006. Both sets recorded from two separate sources and fused together by Romero, creating a heavy sandwich of analog treats. Contains a bonus track from Mic Nasty: The Deuce on the Loose on Side B. Limited edition of 100.'---LABEL DESCRIPTION


'Concrete music that oozes it's way into the crevices of mind decay and polymorphous elasticity. A slab of perpetual cycles making a three piece suite that's good enough for any type of demolition party. Guilty as charged: Joseph Hammer of Soild Eye, Dinosaurs With Horns, and Points of Friction, cavorts with live magnetic tape manipulation, Albert Ortega (aka Slujun) who makes up half of Feed the Dragon, mangles some custom built circuits; Ecomorti, aka Amanda Hendricks of Portland, Oregon lets loose with growls of eco-terror, while Loachfillet of Pigs in the Ground and Mummers (Eype) drops the anvil with a variety of radioactive sludge. Get on with late night ESP band width, and dial in 100 different frequencies simultaneously. Like a LAFMS collage on the microbial terror hunt. Full cover artwork in gatefold sleeve with full color disc art as well. Edition of 100.'---LABEL DESCRIPTION



AUSCULTARE RESEARCH



High sounds treated by KM, low sounds treated by DM


4 Tracks of worm noise... crisp electronic sound... KILLER.


'7hz, founded in 1995 by Scott Arford, has continued to function as San Francisco's premiere venue for noise and experimental media. A space where new combinations of image, sound, and experience can be realized. Since its inception it has had the privilege of hosting performances for many of the world's most interesting, progressive, and challenging sound and media artists. This CD represents some of the best recordings by each of the 3 people that live at 7hz and make happen. Randy has appeared on Ground Fault (GF009 - RHY Yau 'The Hidden Tongue'). Scott is also no stranger to Ground Fault (GF003 - Radiosonde 'Meter Sickness'). Michael Nine is better known for his work under the name Death Squad. This is the fourth collaborative CD between Randy’s Aucultare Reseach label and Ground Fault Recordings.'---LABEL DESCRIPTION

BANNED PRODUCTION



MEDUSA is 6 CD's of tape manipulated tape hiss. Hiss from 8-tracks, hiss from cassettes, hiss from reels, hiss from 20th generation VHS dubs of silent news footage, hiss made louder, hiss taped over sound, hiss taped over hiss, hiss multiplied, hiss delayed, hiss reverberated, hiss blown.

Recorded by Aaron Dilloway 2008 at Tarker Mills, Oberlin, OH. Thanks To AMK and Fritz Pfleumer.


As it says on the back.


Wikkid 3 incher from Always ruling legend AMK. 2 tracks recorded LIVE in LA and SF.


Fucked up vinyl loops and melting noise from the master of BANNED PRODUCTION!!!!


VERY Strange!


Killer RUST HUMS from King CHOP SHOP. Packed in tar paper.


'i wrote gen-ken a letter one day, telling him i felt my life out of balance. i thought one reason is that he no longer had a release on my label. what he did is take little styrofoam balls, bounced, rolled and rubbed them against bottles, glasses, boxes and bags, which in turn, brought me back in balance. in a round box with some of the little styrofoam balls from the recording.'---AMK, Banned Production label description


Untitled pice for Prepared Chorde Organ, Microphone, and electric motors. NUFF SAID!!! JOE COLLEY!!!