THRONE HEAP

ENDLESS TIME - ESCAPE
THRONE HEAP
Cassette

"(c-25) Intense TERROR drones and galloping oscillators overtake you in the venomous forest. Hope for ESCAPE, but prepare to SURRENDER! Screened Art. Edition of 50."---LABEL DESCRIPTION

MP3 excerpt

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"(c-25) Intense TERROR drones and galloping oscillators overtake you in the venomous forest. Hope for ESCAPE, but prepare to SURRENDER! Screened Art. Edition of 50."---LABEL DESCRIPTION

You are missing some Flash content that should appear here! Perhaps your browser cannot display it, or maybe it did not initialize correctly.

"(c-25) Intense TERROR drones and galloping oscillators overtake you in the venomous forest. Hope for ESCAPE, but prepare to SURRENDER! Screened Art. Edition of 50."---LABEL DESCRIPTION

$7.00
BILL NACE - MUSIC FOR UNFINISHED FILM
THRONE HEAP
Cassette

"(c-42) Inspired by Aaron Dilloway's "Modern Jester" tape on Hanson; Nace explores repetition without the use of loops. Reel to reel recordings circa 2010. Screened Art. Edition of 90."---LABEL DESCRIPTION

MP3 excerpt

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"(c-42) Inspired by Aaron Dilloway's "Modern Jester" tape on Hanson; Nace explores repetition without the use of loops. Reel to reel recordings circa 2010. Screened Art. Edition of 90."---LABEL DESCRIPTION

You are missing some Flash content that should appear here! Perhaps your browser cannot display it, or maybe it did not initialize correctly.

"(c-42) Inspired by Aaron Dilloway's "Modern Jester" tape on Hanson; Nace explores repetition without the use of loops. Reel to reel recordings circa 2010. Screened Art. Edition of 90."---LABEL DESCRIPTION

$7.00

Out of Stock




INDIGNANT SENILITY - LABIARINTHINE INCOGNATION
THRONE HEAP
Cassette

"(c-40) Gritty steam-powered industrial from the Pacific Northwest's Pat Maherr. Huge bottomless swells. Screened Art. Edition of 90."---LABEL DESCRIPTION

MP3 excerpt

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"(c-40) Gritty steam-powered industrial from the Pacific Northwest's Pat Maherr. Huge bottomless swells. Screened Art. Edition of 90."---LABEL DESCRIPTION

You are missing some Flash content that should appear here! Perhaps your browser cannot display it, or maybe it did not initialize correctly.

"(c-40) Gritty steam-powered industrial from the Pacific Northwest's Pat Maherr. Huge bottomless swells. Screened Art. Edition of 90."---LABEL DESCRIPTION

$7.00

Out of Stock




L.R. PADGETT - EMBOSSED EARTH
THRONE HEAP
Cassette

""The sound of prepared tapes dissolving into thick textural drones. Recorded & compiled by Loyd Padgett (Defenestrated Records) summer 2010. Screened Art. Edition of 50."---LABEL DESCRIPTION

MP3 excerpt

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""The sound of prepared tapes dissolving into thick textural drones. Recorded & compiled by Loyd Padgett (Defenestrated Records) summer 2010. Screened Art. Edition of 50."---LABEL DESCRIPTION

You are missing some Flash content that should appear here! Perhaps your browser cannot display it, or maybe it did not initialize correctly.

""The sound of prepared tapes dissolving into thick textural drones. Recorded & compiled by Loyd Padgett (Defenestrated Records) summer 2010. Screened Art. Edition of 50."---LABEL DESCRIPTION

$7.00
AARON DILLOWAY - CHAIN SHOT
THRONE HEAP
LP

 

"With only tape loops, metal, and horns (and sometimes, it seems, metal on horns) the two side long pieces, 'Chain Shot' and 'Execution Dock' respectively, explore the ugly underbelly of noise before just scraping right through and aiming for the insides. In a genre that has quickly turned into a broad and often inaccurate description of a certain breed of every-man experimental music, Dilloway sticks to the old-fashioned definition of noise, doing battle with the materials in front of him as he continues the construction of his impressive body of work.

Dilloway, a former member of noise-titans Wolf Eyes, has recently been releasing solo work that explores much more abstract and thoughtful terrain than his previous group's onslaughts. 'Chain Shot' is more a sound collage than anything, and while it is a heaping glob of muddled debris, it is also a highly controlled one. Looping samples on top of samples, Dilloway builds a slowly encroaching beast before slowly disintegrating it, bone by bone. This is some highly textural and immediately emotive soundscape work.

'Execution Dock' begins with a repeating loop of what sounds like the beginning and the end syllables of some nut's conversation with a lamppost. In the distance sounds a pained song of sorts, like a rodent's death cry, or maybe its birth one. I'm guessing maybe this is the horn, though it would be tough to be certain about much of anything here. Delayed creaks and groans float in and around as the vocal sample dissipates, leaving you sloshing through the mud puddle only to realize that its a tar pit the size of La Brea."
---HENRY SMITH
http://earconditionednightmare.blogspot.com/

 

Chain Shot (excerpt)

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"With only tape loops, metal, and horns (and sometimes, it seems, metal on horns) the two side long pieces, 'Chain Shot' and 'Execution Dock' respectively, explore the ugly underbelly of noise before just scraping right through and aiming for the insides. In a genre that has quickly turned into a broad and often inaccurate description of a certain breed of every-man experimental music, Dilloway sticks to the old-fashioned definition of noise, doing battle with the materials in front of him as he continues the construction of his impressive body of work.

Dilloway, a former member of noise-titans Wolf Eyes, has recently been releasing solo work that explores much more abstract and thoughtful terrain than his previous group's onslaughts. 'Chain Shot' is more a sound collage than anything, and while it is a heaping glob of muddled debris, it is also a highly controlled one. Looping samples on top of samples, Dilloway builds a slowly encroaching beast before slowly disintegrating it, bone by bone. This is some highly textural and immediately emotive soundscape work.

'Execution Dock' begins with a repeating loop of what sounds like the beginning and the end syllables of some nut's conversation with a lamppost. In the distance sounds a pained song of sorts, like a rodent's death cry, or maybe its birth one. I'm guessing maybe this is the horn, though it would be tough to be certain about much of anything here. Delayed creaks and groans float in and around as the vocal sample dissipates, leaving you sloshing through the mud puddle only to realize that its a tar pit the size of La Brea."
---HENRY SMITH
http://earconditionednightmare.blogspot.com/

 

Execution Dock (excerpt)

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You are missing some Flash content that should appear here! Perhaps your browser cannot display it, or maybe it did not initialize correctly.

 

"With only tape loops, metal, and horns (and sometimes, it seems, metal on horns) the two side long pieces, 'Chain Shot' and 'Execution Dock' respectively, explore the ugly underbelly of noise before just scraping right through and aiming for the insides. In a genre that has quickly turned into a broad and often inaccurate description of a certain breed of every-man experimental music, Dilloway sticks to the old-fashioned definition of noise, doing battle with the materials in front of him as he continues the construction of his impressive body of work.

Dilloway, a former member of noise-titans Wolf Eyes, has recently been releasing solo work that explores much more abstract and thoughtful terrain than his previous group's onslaughts. 'Chain Shot' is more a sound collage than anything, and while it is a heaping glob of muddled debris, it is also a highly controlled one. Looping samples on top of samples, Dilloway builds a slowly encroaching beast before slowly disintegrating it, bone by bone. This is some highly textural and immediately emotive soundscape work.

'Execution Dock' begins with a repeating loop of what sounds like the beginning and the end syllables of some nut's conversation with a lamppost. In the distance sounds a pained song of sorts, like a rodent's death cry, or maybe its birth one. I'm guessing maybe this is the horn, though it would be tough to be certain about much of anything here. Delayed creaks and groans float in and around as the vocal sample dissipates, leaving you sloshing through the mud puddle only to realize that its a tar pit the size of La Brea."
---HENRY SMITH
http://earconditionednightmare.blogspot.com/

 

$25.00
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