HANSON RECORDS



FORCED EXPOSURE



Original copies of this classic slab of lo-fi UK smoke sound. Neil Campbell, Richard Youngs, Simon Wickham-Smith, and Stewart Walden. Kinda the birthing point of the Vibracathedral crew. Nice silkscreened covers too!

JUNKE KUNST / EHRENTRAUD



Catalogue published by Junge Kunst Wolfsburg e.V. and Galerie Christian Ehrentraud, Berlin. About 60+ pages (21x19 cm) documentating Roigks works from the last couple years, with fullcolour photographs from Installations & Objects and black/white drawings, english & german texts about the artist. Also included is a full length Audio-CD with installation-sound works and musical pieces by Roigk. ---LABEL DESCRIPTION

LIVE BAIT








RECORDINGS FOR THE SUMMER






ROTORELIEF



Amazing reissue of this classic industrial noise LP from 1984. Nothing but the sounds of machinery. Kind of like if TNB used loops...though...most of this doesnt sound like loops..but actual machinery...Industrial in the truest sense. One of my favorite albums of ALL TIME... HIGHEST RECOMMENDATION!

SCROTUM







Recorded & Mixed January-March 2001. Comes in a special A4 cover. Limited to 113 handnumbered copies.







SECOND LAYER




SPECIAL INTERESTS



Issue #3. Articles, interviews, etc from Aaron Dilloway, Rodger Stella, Tommy Carlsson, Iron Fist Of The Sun, Xiphoid Dementia, Isomer, Leif Elggren, Sudden Infant, Fire In The Head, Vivenza, Filth & Violence, Posh Isolation, Release The Bats, Abgurd, Urushima, Pasi Markkula. Cover art by Haare.

SUBTERRANEAN



Original sealed CASSETTE copies of this killer collection of early C.B. material.. Includes the harsh noise classic 'SWALLOWING SCRAP METAL'! Recordings from 1983 - 1988. Includes 3 tracks NOT on the LP version! CLASSIC NOISE!

TOCHNIT ALEPH



MATTIN (computer feedback, voice, guitar) and (sic) TIM GOLDIE (drums, voice, credit card, amplifier). All Tracks recorded by (sic) Tim Goldie except Number 12 (Field recording at Huntigdon Life Sciences) by Zoe Broughton, and Number 16 recorded by Mattin. Mastered by Daniel Beattie. All Tracks edited from improvisations. Edition of 500 copies, with 2 double-sided A5 cards packaged in oversized luxurious metallic golden foil envelope with sticker attached. ---LABEL DESCRIPTION

Defusing preconceptions of what a live event should be and degrading its components - the sound, the performance, the audience - without imposing aesthetic or moral limits: this is the reason for being of Deflag Haemorrhage/Haien Kontra, the project born in 2001 from the minds of two of the most unpredictable and conceptual contemporary sonic activists: Mattin and [sic] Goldie. Ferocity and immobility, instruments abused and unused, musicians zombiefied in their stage persona and in general the sense of psychosis, of necessary superfluousness that gushes from every gesture, from each decision taken by this anglo-basco duo make their live event an experience that is all but impossible to relate to, at least until theyve stripped you of the costuming of dominant culture. - Valerio Tricoli


MATTIN (computer feedback, voice, guitar) and (sic) TIM GOLDIE (drums, voice, credit card, amplifier). Recorded and Mastered by Rashad Becker October 2007 & July 2008, Edited and mixed by Mattin and (sic) Tim Goldie at Worm, Rotterdam, January 2008. Edition of 500 copies, with 2 double-sided A5 cards packaged in oversized luxurious metallic silver foil envelope with sticker attached.---LABEL DESCRIPTION

absolutely fucking insane. the weirdest record i have heard for a LONG time!! The eccentricity/ form destruction of say ULTRA but more slick, like a cheetah applying lipstick on a coke mirror. Like if you record humidity. wild mix of sexy cymbals, (non) accident vocals/child sighs, makes William Bennett sound like Moira Stewart. BONKERS BONKERS and once more BONKERS its like taking one massive shit and then it grows a mouth and starts talking back??? arachnophobia toilet scene style. w/ heavy last seconds unpaused tape AARGH style. --- Stephen Warwick

Defusing preconceptions of what a live event should be and degrading its components - the sound, the performance, the audience - without imposing aesthetic or moral limits: this is the reason for being of Deflag Haemorrhage/Haien Kontra, the project born in 2001 from the minds of two of the most unpredictable and conceptual contemporary sonic activists: Mattin and [sic] Goldie. Ferocity and immobility, instruments abused and unused, musicians zombiefied in their stage persona and in general the sense of psychosis, of necessary superfluousness that gushes from every gesture, from each decision taken by this anglo-basco duo make their live event an experience that is all but impossible to relate to, at least until theyve stripped you of the costuming of dominant culture. - Valerio Tricoli